WHAT IS MOVEMENT FOR ACTORS?

Training in movement is a vital component of the actor’s craft. The body is the vessel through which behavior is displayed, which is why developing the body as a tool for expression is an important part of an actor’s practice. An established practice in movement can allow for freedom in acting and endurance to sustain the demands of various roles and performances. It teaches specificity by offering tools for transformation and can open access to imagination and emotional life.

Vernal & Sere

WHY IS MOVEMENT TRAINING IMPORTANT?

As actors, it is imperative that we seek specificity and truthfulness in the story that we’re telling. The expression of the body can support this truth or betray it.

BEGINNING TRANSFORMATION .

When starting movement training, there may often be restriction, immobility, discomfort, and heightened self-awareness, which works in opposition to being present in the moment in performance. With dedicated time and practice, the work begins to release uncontrolled physical tension and open up the power, stamina, and presence of the body. It allows for the artist to work under the gaze of an audience, while staying fully in the moment of their own experience and in collaboration with other actors.

When the actor becomes aware of their habits and is supported with the necessary tools to move away from them, they are given the potential to transform. By making physical choices rooted in the imaginary circumstances or character, the actor can fully embody different modes of being.

WHAT CLASSES DO YOU OFFER?

Vernal & Sere Theatre offers movement classes focused in the techniques of Laban, Suzuki, and Viewpoints. The methods work to further develop presence, openness, specificity, and body awareness, as well as equip the actor with tools for transformation and access to imaginative play.

upcoming movement courses

viewpoints / intro to devising

First originated by Mary Overlie and later expanded by Anne Bogart, the Viewpoints work releases actors, directors, and dancers from the rigidity of singularity in process. This course will continue to explore the Viewpoints in a deeper, more dynamic exploration of time and space. Students will further develop their embodied understanding of ensemble, impulse vs. instinct, and risk-taking in choices and working with confidence. This class is suitable for actors, movers, dancers, designers, and directors. Previous experience in Viewpoints strongly recommended.

6-Week Course starting 5/9

Tuesday Evenings | 7-10PM

Location | The Windmill Arts Center, East Point, GA

Course Instructors: Erin Boswell & Erin O'Connor

Sliding Scale Pricing Options:

Please select pricing amount to register.

$185

$215

$245

**Please choose the option that best reflects your need. Part of VST's mission is to offer accessible classes while compensating our teaching artists for their time and training. Limited quantities for each option are available.

Laban

Viewpoints

viewpoints & devising ( invitation required )

First originated by Mary Overlie and later expanded by Anne Bogart, the Viewpoints work releases performers from the rigidity of singularity in process. This course will continue to explore the Viewpoints in a deeper, more dynamic exploration of time and space. Students will further develop their embodied understanding of ensemble, instinct, and risk-taking in choices and creation. This course is invitation / instructor approval only.

6-Week Course starting 5/10

Wednesday Evenings | 7-10PM